Nine Inch Nails has a new album, and it’s free?

Why didn’t anyone tell me about this sooner?

Two weeks ago, over at the official Nine Inch Nails website, a new NIN album called The Slip was announced. Like Ghosts I-IV, the album is available as a digital download in MP3, FLAC, and Apple Lossless format. Unlike Ghosts I-IV, this album is completely free. As Trent Reznor put it in the post announcing The Slip, “thank you for your continued and loyal support over the years – this one’s on me”.

I’ve already gone ahead and downloaded the album in Apple Lossless format, and have added it to my iTunes library. I’ll spend some time a bit later listening to it. Still, this is one of the reasons I have a hell of a lot of respect for Trent Reznor. He broke from his own label, and is now giving the fans what they want at price points that are extremely reasonable. Add that to the fact that his music is still as good as ever (in my opinion), and you’ve got me as a continued listener and fan. :-) I just wish I hadn’t found out about two weeks after its release… heh.

If you want to download The Slip for yourself, you can do so from the official website.

Uwe Boll has hit a new low.

http://www.bingegamer.net/index.php/2008/200-patrons-walk-out-of-free-postal-screening

There is no kind, soft lead into this story, so I’m just going to say it: 200 people walked out of a free screening of Uwe Boll’s Postal, because the opening scenes of the film, which depict terrorists deciding to turn their planes towards the Bahamas rather than crash them into the World Trade Center, only to crash them into the World Trade Center after passengers storm the cockpit.

Let me reiterate so this doesn’t slip past anybody: Two hundred people… walked out of a free showing of Uwe Boll’s Postal… in the first ten minutes.

Wow.

Boll defended the film, saying that while he didn’t want to hurt anybody, he wanted Postal to break the rules, and bring into question what exactly is “taboo”.

All the same, two hundred people, give or take a handful… wow… however sad that this story may sound, it begs the question: Which is more pathetic? The fact that the film itself was already available for free showings, or that the audience still stormed out in droves?

Damnation. I knew Boll’s films were horrible, even going back to when Ain’t It Cool News savaged House of the Dead. His movies have been universally panned, and it amazes how he manages to get the casts he does. (His budgets, on the other hand, are no mystery: they come from German companies trying to exploit loopholes in German tax laws.) Still, this is probably rock bottom for him, and that says something about a man who hates his critics so much that he more or less tricks them into a boxing match where he promises to go easy and give free training, but reneges on the training and pounds them into a bloody pulp instead.